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Over 40 local and international contributors to participate in the eighth iteration of the Global Art Forum, titled ‘Meanwhile…History’
Global Art Forum 2014 features participants from the worlds of art, architecture, film, literature, history, theatre and commentary. Taking place over five days—March 15-16 in Doha and March 19-21 in Dubai—the Forum is known as the leading regional platform for cultural debate, and one of the most innovative of arts conferences, worldwide.
In 2014, the Forum sets out to create an imagined timeline of turning points in history—significant decades, years or days that shifted an understanding of the world.
Titled Meanwhile…History, the Forum also reflects on the philosophy and fiction of making history matter: each interview, discussion, presentation or commissioned project at Global Art Forum 8 is a point on this imagined timeline. As a whole, the Forum becomes a journey through known and unknown histories, of critical change and seismic moments.
Meanwhile…History has been programmed by writer Shumon Basar; the curator-translator Omar Berrada, co-director of Dar al-Ma’mûn in Marrakech; and the artist and curator Ala Younis.
The Global Art Forum was launched by Art Dubai, the leading international art fair in the Middle East and South Asia, at its inaugural fair in 2007. In 2014, the Forum is presented by the Dubai Culture and Arts Authority (Dubai Culture), and is held in partnership with the Office of Strategic Cultural Relations at Qatar Museums Authority through their Years of Culture annual initiative. The Doha days (March 15-16) take place during the Qatar Brazil 2014 Year of Culture at Katara Art Center, while in Dubai, the Forum is located next to Art Dubai Modern, at Mina A’Salam, Madinat Jumeirah (March 19-21).
“Meanwhile…History takes Eric Hobsbawm’s adage, ‘A protest against forgetting,’ as its starting point,” says Shumon Basar, commissioner of the Global Art Forum. “As our experience of time accelerates, so does the build-up of history. Amnesia is built into this process by default. This year’s Forum is an occasion to time-travel to some of history’s blind spots.”
Global Art Forum co-director Omar Berrada adds: “Within its context, the Global Art Forum is a unique event, for its idiosyncratic format, its eclectic approach to art and knowledge, and its enduring appeal. Through this year’s iteration, we hope to achieve world-class conversation and thought-provocation around topics that we think should be on everyone’s mind.”
“It’s one of the few established annual meetings with a Middle East focus,” comments co-director Ala Younis. “The Global Art Forum is a unique event with an amazing constellation of topics and projects devised by artists, intellectuals and regional experts.”
Meanwhile…History tours through Ibn Khaldun’s medieval treatise, the Muqaddimah; Soviet Orientalism; American Cold War paranoia; a hundred years of the art exhibition Documenta; several millennia of the pearling industry of the Gulf; the “Short Seventies” in the UAE and across the world; as well as cultural experiments in Kuwait; Iranian art collections in Dubai; Africa in 1966; and creative lapses in storytelling and Facebook timelines.
Free, and open to all, this year’s Global Art Forum will be simultaneously translated into Arabic/English, and will be live-streamed globally and to sites within the fair, thanks to the support of Ibraaz/Kamel Lazaar Foundation, the online partner of the Global Art Forum in 2014.
The Global Art Forum’s fellowship programme Forum Fellows returns this year with a focus on curating, led by writer and curator Tirdad Zolghadr. This intensive programme of workshops enables exceptional upcoming curators from the Middle East to exchange ideas and experience. Fellows selected for the 2014 programme are: Amanda Abi Khalil (Beirut); Azar Mahmoudian (Tehran); Yasmina Reggad (Algiers); Yara Saqfalhait (Ramallah), and Ania Szremski (Cairo).
The Forum Fellows 2014 programme is kindly supported by the Arab Fund for Arts and Culture (AFAC).
The International New York Times is the international media partner of the Global Art Forum in 2014.
Global Art Forum 8 features 40 contributors, including:
Rahel Aima, Editor, The State, Dubai
John Akomfrah, Artist, filmmaker and writer, London
Shiva Balaghi, Professor, Departments of History and History of Art, Brown University, Providence
Sulayman Al Bassam, Writer and director, Kuwait/London
Omar Berrada, Writer, translator, co-director of Dar al-Ma’mûn and co-director of Global Art Forum 8, Marrakech
Jocelyne Dakhlia, Professor, L’Ecole des Hautes Etudes en Sciences Sociales, Paris
Catherine David, Art historian and independent curator, Paris
Okwui Enwezor, Director, Haus der Kunst and director of the Visual Arts Sector of the 56th Biennale di Venezia, 2015
Marina Fokidis, Independent curator-writer and founding director of the Kunsthalle Athena
& South magazine
Oscar Guardiola-Rivera, Author and academic, London
Frauke Heard-Bey, Historian, Abu Dhabi
Adina Hempel, Assistant professor, College of Arts and Creative Enterprises, Zayed University and head of research for the National Pavilion of the UAE Venice Architecture Biennale 2014, Dubai
Butheina Kazim, Fulbright scholar of Media Culture and Communication, New York University, New York/Abu Dhabi
Kristine Khouri, Researcher and writer, Beirut
Masha Kirasirova, Assistant Professor and Faculty Fellow of History, New York University Abu Dhabi, Abu Dhabi
Ahmad Makia, Editor, The State, Dubai
Farah Al-Nakib, Assistant Professor of History and Director of the Centre for Gulf Studies, American University of Kuwait, Kuwait
Hans Ulrich Obrist, Curator, co-director of exhibitions and programmes and director of international projects, Serpentine Gallery
Todd Reisz, Visiting assistant professor, Yale University School of Architecture and editor of Al Manakh and Portal 9, Amsterdam
Shuddhabrata Sengupta, Artist and writer, Raqs Media Collective, New Delhi
Justin Stearns, Assistant professor of Arab Crossroads Studies, New York University Abu Dhabi, Abu Dhabi
Brett Steele, Director, Architectural Association School of Architecture, London
Adam Szymczyk, Director, Kunsthalle Basel and artistic director of documenta 14, 2017, Basel
Michael C. Vazquez, Writer and editor, New York/London
Marina Warner, Writer, London
Ala Younis, Artist, curator and co-director of Global Art Forum 8, Amman
Tirdad Zolghadr, Writer and curator, Ramallah
The Global Art Forum 8 also features a range of commissions, including new projects by the Gulf-based artists Sarah Abu Abdallah, Raja’a Khalid and Hind Mezaina.
For more information and the latest updates, please visit artdubai.ae, become a Fan of Art Dubai on Facebook and follow us on Twitter at @artdubai.
ABOUT ART DUBAI
The eighth edition of Art Dubai takes place March 19-22, 2014.
Art Dubai is held in partnership with The Abraaj Group and is sponsored by Cartier and Emaar. Madinat Jumeirah is home to the event. The Dubai Culture and Arts Authority is a strategic partner of Art Dubai and supports the fair’s year-round education programme.
Known as one of the most global and innovative of art fairs, Art Dubai 2014 includes 84 galleries from 36 countries—from the world’s most influential galleries to dynamic young artspaces across three gallery programmes, offering audiences the opportunity to discover the work of more than 500 artists through histories and across geographies.
Alongside the gallery halls, comprising Contemporary, Modern and Marker, the fair’s extensive not-for-profit programme includes artists’ and curators’ residencies; site-specific works and commissioned performances (Art Dubai Projects); an exhibition of works by winners of the annual The Abraaj Group Art Prize; the critically-acclaimed Global Art Forum and Campus Art Dubai—the free Saturday School for curators, artists and cultural workers living in the UAE.
